In this talk GM member Willow Verkerk proposes a mimetic return to the Kantian subject through the dissonant figure of the Marquis de Sade’s Juliette. It brings together Simone de Beauvoir’s reading of Sade and Adriana Cavarero’s criticism of Kant to show that Juliette’s sadism is a problem distinctive to the denial of mimetic inclination. It argues that Juliette position, as one legacy of the enlightened subject, requires us to take seriously the material implications of a human ideal who is uninterested in love.
Recording available here:
For Nietzsche philosophy was an embodied activity that should lead to a metamorphosis of the spirit. In Part 1 of this talk, shot in Sils Maria, Switzerland, Nidesh Lawtoo situates Nietzsche’s “Three Metamorphoses of the Spirit” that open Thus Spoke Zarathustra against the Alpine summits and paths that inspired Nietzsche’s meditations in the first place. In the process, mimesis turns out to be central for Nietzsche’s reevaluation of morality, subjectivity, as well as to concepts such as the “overman” and the “eternal return of the same.”
In this online dialogue on Conrad and the Planetary (Sept. 9. 4pm CET) HOM PI Nidesh Lawtoo and political theorist William Connolly join forces to reflect on the role of reading fiction in general and Conrad’s tales of catastrophe in particular, to face planetary challenges in the Anthropocene. More information here.
Part of a conference on D. H. Lawrence and the Demos, HOM PI Nidesh Lawtoo situates Lawrence’s critique of crowd psychology, the mimetic unconscious, and fascist contagion in the political novels. The background of the Black Forest provides reflections on Lawrence’s attention to the attraction and repulsion generated by “blood consciousness” or “root consciousness.” In the process, Lawrence turns out to be a key ally to fight contra (new) fascism in general and contra what Foucault calls the “fascism in us all.” Full article here.
In her keynote address for the Posthuman Mimesis conference, part of the ERC-funded HOM project, Katherine Hayles relies on her double training in biology and literary theory to promote a mimetic turn in posthuman studies. With roots in Greek classical drama and development in literary theory, mimesis is often regarded as primarily a discursive technique. Recently, however, Hayles argues that its applications in embodied practices have undergone exponential expansion in an unexpected domain: microbial resistance to viruses.
In this public lecture for the LMU Doctoral Program on Mimesis Final Conference, Nidesh Lawtoo (KU Leuven) articulates the relevance of HOM Theory to account for the mimetic patho(-)logies in the Age of Covid-19: from affective contagion to viral contagion, conspiracy theories to therapeutic imitations, Lawtoo argues that rethinking mimesis beyond representation is central to account for the patho(-)logies of contagion in periods of pandemic crisis.