In this third episode of HOM Videos, French sociologist, philosopher and founder of complexity theory, Edgar Morin discusses the complexity of mimesis: from the anthropology of the double to cinematic identifications, ethics to politics, mimicry to the birth of art, homo mimeticus turns out to be constitutive of Morin’s complex view of human nature. Trailer here.
Since the publication of Gunter Gebauer and Christoph Wulf’s seminal book, Mimesis: Culture- Art-Society in 1992, the realization that mimesis is constitutive of the human condition has become central to the humanities, the arts, the social sciences, stretching to inform the hard sciences as well. Furthering Gebauer and Wulf’s call to examining the productive aspect of mimesis as a “human condition,” the ERC-funded Homo Mimeticus: Theory and Criticism (HOM) project convokes a two-day transdisciplinary workshop at the Institute of Philosophy, KU Leuven, to explore the afterlives of the mimetic condition in the twenty-first century.
December 5-6, 2019,Room S, Institute of Philosophy, KU Leuven (Belgium) Keynote:Prof. Gunter Gebauer (Free University of Berlin) “Worldmaking of the Hand: The Mimetic Creation of Human Culture”
In this interview for the Leuven Philosophy Newsletter, HOM team member Niki Hadikoesoemo asks Nidesh Lawtoo to sketch the main outlines of the Homo Mimeticus project and to discuss the relevance of mimesis for contemporary philosophy, politics, education, the unconscious, as well as for forging interdisciplinary connections within and beyond the humanities. You can read the full interview here.