In “Plato and the Simulacrum,” Deleuze distinguishes between two types of mimetic images: the icon, which is based on the model-copy relation, and the simulacrum, which is “a copy without a model.” In this article, Daniel Villegas Velez argues that behind this well-known distinction, however, lies a previously unexplored distinction between the simulacrum and the phantasm. Full article available here.
In conversation with Wojciech Kaftanski, Nidesh Lawtoo presents his last book, (New) Fascism (MSU P 2019) at the Institute of Philosophy (Husserl Archives, KU Leuven, October 2019). A diagnostic of crowd behavior, mythic identifications, and mimetic contagion constitutive of the growing shadow of fascism.
Fascism tends to be relegated to a dark chapter of European history, but what if new forms of fascism are currently returning to the forefront of the political scene? In (New) Fascism: Contagion, Community, Myth (August 1, 2019) Nidesh Lawtoo diagnoses the case of Trump to illustrate the (un)timeliness of Nietzsche’s claim that, one day, “‘actors,’ all kinds of actors, will be the real masters.” Preview and order here.
“The book is a testament to the power of reasoning to unmask and resist cruel forms of affective contagion, even as it opens the door to the project of composing generous and laudable admixtures of pathos and logos. A bracing and elegant book very much worth reading.”
—JANE BENNETT, Professor, Department of Political Science, Johns Hopkins University, and author of Vibrant Matter: A Political Ecology of Things
In this interview with EU Research, Nidesh Lawtoo explains the main aspects of the HOM project by outlining, in broad and accessible strokes, the good and bad effects of unconscious mimesis investigated by the HOM team in areas as diverse as philosophy, the arts, and politics. He argues that the power of mimesis to transform subjectivity is “not only a scholarly problem, but a human, all too human problem.” Full interview available here.
This article reconsiders the power of myth in light of the rise of new fascist leaders who cast a shadow on the contemporary political scene. Part of a special issue on Myth and Modernity (ed. Hannes Opelz), Nidesh Lawtoo looks back to Lacoue-Labarthe’s and Nancy’s, “The Nazi Myth,” to account for the affective power of myth that is currently being reloaded both in Europe and the US–an argument internal to a forthcoming book on (New) Fascism (2019). Article available here.
In this article Nidesh Lawtoo establishes a genealogical connection between the emerging concept of plasticity and the ancient philosophical concept of mimesis in order to further an ongoing dialogue between contemporary continental philosophy and the neurosciences. Article available here.
In this special issue of Modern Language Notes (ed. N. Lawtoo), contemporary figures like Jean-Luc Nancy, Paola Marrati, Jane Bennett and Alain Badiou, among others, rethink the relation between “poetics and politics” by drawing on Philippe Lacoue-Labarthe’s mimetic account of the current becoming fictional of the political. You can read the introduction here.
In this chapter for The Palgrave Handbook of Mimetic Theory and Religion (eds. James Alison, Wolfgang Palaver), titled “The Classical World: Sacrifice, Religion, Philosophy,” Nidesh Lawtoo takes the work of René Girard, read with Friedrich Nietzsche, Jane Harrison and other philologists, as a starting point to offer a genealogy of the role sacrifice plays in the classical period. The patho-logy of sacrificial violence, Lawtoo argues, both confirms and supplements mimetic theory. You can read the chapter here.
In this interview for the Leuven Philosophy Newsletter, HOM team member Niki Hadikoesoemo asks Nidesh Lawtoo to sketch the main outlines of the Homo Mimeticus project and to discuss the relevance of mimesis for contemporary philosophy, politics, education, the unconscious, as well as for forging interdisciplinary connections within and beyond the humanities. You can read the full interview here.
Nidesh Lawtoo publishes new essay on Oscar Wilde’s fascination for theatrical forms of mimesis (lies, identification, impersonation, performance) in Symploke 26.1-2 (2018): 307-328. Read full article here