In this article Nidesh Lawtoo establishes a genealogical connection between the emerging concept of plasticity and the ancient philosophical concept of mimesis in order to further an ongoing dialogue between contemporary continental philosophy and the neurosciences. Article available here.
In this special issue of Modern Language Notes (ed. N. Lawtoo), contemporary figures like Jean-Luc Nancy, Paola Marrati, Jane Bennett and Alain Badiou, among others, rethink the relation between “poetics and politics” by drawing on Philippe Lacoue-Labarthe’s mimetic account of the current becoming fictional of the political. You can read the introduction here.
Why is mimesis a political problem? In this first of a series of interviews for the ERC project Homo Mimeticus, Nidesh Lawtoo meets political theorist William E. Connolly (Johns Hopkins University) in Boston (APSA 2018) to talk about the political dangers of affective contagion, mimetic identification and new fascism central to his latest book, Aspirational Fascism (2017). Check out the full interview & subscribe to our YouTube channel to receive updates:
In this chapter for The Palgrave Handbook of Mimetic Theory and Religion (eds. James Alison, Wolfgang Palaver), titled “The Classical World: Sacrifice, Religion, Philosophy,” Nidesh Lawtoo takes the work of René Girard, read with Friedrich Nietzsche, Jane Harrison and other philologists, as a starting point to offer a genealogy of the role sacrifice plays in the classical period. The patho-logy of sacrificial violence, Lawtoo argues, both confirms and supplements mimetic theory. You can read the chapter here.
In this interview for the Leuven Philosophy Newsletter, HOM team member Niki Hadikoesoemo asks Nidesh Lawtoo to sketch the main outlines of the Homo Mimeticus project and to discuss the relevance of mimesis for contemporary philosophy, politics, education, the unconscious, as well as for forging interdisciplinary connections within and beyond the humanities. You can read the full interview here.
Nidesh Lawtoo publishes new essay on Oscar Wilde’s fascination for theatrical forms of mimesis (lies, identification, impersonation, performance) in Symploke 26.1-2 (2018): 307-328. Read full article here