What do contemporary films tell us about the material effects of theatrical, cinematic, and digital simulations? This article considers Spike Jonze’s mimetic aesthetics in Being John Malkovich (written by Charlie Kaufman; 1999) and Her (2013) to diagnose the transition from a society of the spectacle based on embodied forms of mimesis to a network society in which digital simulations have material effects on posthuman bodies and souls, or hypermimesis. Full article available here.
In this lecture co-sponsored by the English Literature Research Seminar, RIPPLE, the Husserl Archives and the HOM project, political theorist William E. Connolly (Johns Hopkins Univesity) focuses on three diverse thinkers – Sophocles, Mary Shelley, and Bernard Williams. Writing in different times and places they advanced overlapping insights that, if widely absorbed in major Eurocentric theories, may have advanced insights sooner into the unruliness of the earth.
Thursday October 10, 5 pm, Kardinaal Mercierzaal, Institute of Philosophy, KU Leuven. Reception to follow. More details here.
The lecture is followed by a workshop on “Mimetic Politics: Swarms and Crowds” Friday, October 11, 10-12pm. Radzaal, Institute of Philosophy. All welcome. Details and readings here.
In this talk, Prof. Jeffrey Hanson argues that liturgical language used by Vigilius Haufniensis in Kierkegaard’s The Concept of Anxiety is of critical significance to his account of earnestness, which in turn is at the heart of his theory of selfhood. Tuesday, September 17, 4:30-6 pm, Raadzaal, Institute of Philosophy (reception to follow). More details here: