When navigating the parallel world of fictional narrative, we basically rely on the same brain-body resources shaped by our relation to mundane reality, since both realms are characterized by similar social practices and performative acts. Cognitive narratology reveals that readers make sense of complex narratives by relying on very few textual or discourse cues.
The ERC-funded project Homo Mimeticus: Theory and Criticism (HOM) hosted by the Institute of Philosophy and the Faculty of Arts at KU Leuven, Belgium, is pleased to announce its final international conference titled The Mimetic Turn (April 20-22, 2022; ONLINE). Keynotes and Invited Speakers include Mikkel Borch-Jacobsen, Vittorio Gallese, Jane Bennett, William Connolly, Henry Staten, among other internationally renowned theorists and critics. Recordings here
Empathy is often restricted to a moral feeling, but what if the human ability to “feel into” others goes to the palpitating heart of aesthetic and, perhaps, life experiences in general? Prof. Nidesh Lawtoo (KU Leuven) takes the Wired for Empathy exhibition (Curator: Karen Verschooren; STUK/Artefact June 2021) as a timely occasion to reconsider a human propensity for mimetic/empathic experiences that are increasingly recognized as central to aesthetics (from aisthēsis, “sensation”).
