In her keynote address for the Posthuman Mimesis conference, part of the ERC-funded HOM project, Katherine Hayles relies on her double training in biology and literary theory to promote a mimetic turn in posthuman studies. With roots in Greek classical drama and development in literary theory, mimesis is often regarded as primarily a discursive technique. Recently, however, Hayles argues that its applications in embodied practices have undergone exponential expansion in an unexpected domain: microbial resistance to viruses.
In this public lecture for the LMU Doctoral Program on Mimesis Final Conference, Nidesh Lawtoo (KU Leuven) articulates the relevance of HOM Theory to account for the mimetic patho(-)logies in the Age of Covid-19: from affective contagion to viral contagion, conspiracy theories to therapeutic imitations, Lawtoo argues that rethinking mimesis beyond representation is central to account for the patho(-)logies of contagion in periods of pandemic crisis.
Empathy is often restricted to a moral feeling, but what if the human ability to “feel into” others goes to the palpitating heart of aesthetic and, perhaps, life experiences in general? Prof. Nidesh Lawtoo (KU Leuven) takes the Wired for Empathy exhibition (Curator: Karen Verschooren; STUK/Artefact June 2021) as a timely occasion to reconsider a human propensity for mimetic/empathic experiences that are increasingly recognized as central to aesthetics (from aisthēsis, “sensation”).
The ERC Project Homo Mimeticus: Theory and Criticism is pleased to announce an international online conference on the subject of “Posthuman Mimesis.” More details including program and registration here.