Part of the ERC-funded project Homo Mimeticus, the Posthuman Mimesis conference (KU Leuven, May 2021) promoted a mimetic turn in posthuman studies. In the first keynote Lecture, Prof. Kevin Warwick (U of Coventry) argued that our future will be as cyborgs – part human, part technology. Kevin’s own experiments will be used to explain how implant and electrode technology can be employed to create cyborgs: biological brains for robots, to enable human enhancement and to diminish the effects of neural illnesses. In all cases, the end result is to increase the abilities of the recipients.
In her keynote address for the Posthuman Mimesis conference, part of the ERC-funded HOM project, Katherine Hayles relies on her double training in biology and literary theory to promote a mimetic turn in posthuman studies. With roots in Greek classical drama and development in literary theory, mimesis is often regarded as primarily a discursive technique. Recently, however, Hayles argues that its applications in embodied practices have undergone exponential expansion in an unexpected domain: microbial resistance to viruses.
In this public lecture for the LMU Doctoral Program on Mimesis Final Conference, Nidesh Lawtoo (KU Leuven) articulates the relevance of HOM Theory to account for the mimetic patho(-)logies in the Age of Covid-19: from affective contagion to viral contagion, conspiracy theories to therapeutic imitations, Lawtoo argues that rethinking mimesis beyond representation is central to account for the patho(-)logies of contagion in periods of pandemic crisis.
Empathy is often restricted to a moral feeling, but what if the human ability to “feel into” others goes to the palpitating heart of aesthetic and, perhaps, life experiences in general? Prof. Nidesh Lawtoo (KU Leuven) takes the Wired for Empathy exhibition (Curator: Karen Verschooren; STUK/Artefact June 2021) as a timely occasion to reconsider a human propensity for mimetic/empathic experiences that are increasingly recognized as central to aesthetics (from aisthēsis, “sensation”).
In this interview for the Minnesota Review, J. Hillis Miller and Nidesh Lawtoo take one of the most influential concepts in Western aesthetics, mimēsis, as an Ariadne’s thread to retrace the major turns in Miller’s career and, by extension, to promote a re-turn of mimesis in literary theory and criticism. More here .
The ERC Project Homo Mimeticus: Theory and Criticism is pleased to announce an international online conference on the subject of “Posthuman Mimesis.” More details including program and registration here.
In this opening session of the Homo Mimeticus Seminar (KU Leuven), PI Nidesh Lawtoo introduces some of the main concepts constitutive of the mimetic turn, or re-turn of mimesis in critical theory, including mimetic pathos, pathos of distance, mimetic patho(-)logies, and their relevance for the COVID-19 pandemic crisis.
As part of the Homo Mimeticus Seminar (KU Leuven), Postdoctoral researcher Carole Guesse (@CrlGss) provides a short introduction to the posthuman and its discourses: transhumanism and posthumanism. She then explores the various ways in which the posthuman – in both theory and (science) fiction – can be characterized as mimetic.
Tune in on Thursday, October 8, at 8pm for the premiere of the latest episode of HOM Videos, Jean-Luc Nancy: Philosophy and Mimesis. Topics discussed include the relation between philosophy and literature, myth, politics and community. Sign up via this link: